The sound is pure, clear and rich in volume by admixing the SRT-effect - in my experience, a value of 40-50% seems to be optimal - this will also significantly minimize the pure piezo pickup impact noise if playing with too much bass and playing near the guitar bridge ("plock-plock"). Especially when playing the lower strings, the typical sound effect of a guitar body is now amazingly realized. The sound offers significantly enhancements in volume what probably seems to be the result of the new SRT-sound system. Therefore the "Yamaha SLG200n", IMO, is practically indistinguishable from a classical concert guitar (depending on the used amplifier). The already existing fantastic soft and expressive treble string sound on the former model can be found in the new "SLG200 n", too, but now by bass strings worn by a clear "more "in volume, and an equally clear "more" overtones (Flageolett), a recognizable better sound profile. The progress of the "Yamaha SLG200n" to its predecessor "SLG130 nw" is well heard for the experienced musician. Yamaha Silent Guitar "SLG200N" & "Gymnopédie No. Perhaps one of the greatest guitar artist of modern times, Uwe Loewer.
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